Jim Field Smith (She’s Out of My League) directs Butter from Jason A. Micallef’s script that made the 2008 Black List. The film follows Laura (Jennifer Garner), the wife of a former butter sculpting champion Bob (Ty Burrell) who tries to take the mantle from her husband only to be thwarted by a young adopted African American girl (Yara Shahidi), who has discovered that she has a natural talent for making art out of butter. Hugh Jackman, Olivia Wilde, Rob Corddry, Alicia Silverstone, Ashley Greene, and Kristen Schaal also star in the comedy slated for limited release on March 16th, 2012.
Hugh Jackman, Back on Broadway officially opened last night, November 10th, at the Broadhurst! Rave reviews have since been pouring in, with some highlights featured in this update. Pictures from the curtain call have been added to the gallery, along with production photographs from the show. In attendance at the event included Kathy Griffin, Rachael Ray, Mandy Patinkin, Jean-Georges and Marja Vongerichten, Barbara Cook, Robert Fox, Michael Riedel, Liz Smith, Wendi Murdoch, Donna Karan, Anna Wintour, and and “Modern Family”‘s Ty Burrell. All in all, it sounds like it was a spectacular night! Check out what some critics are saying about Hugh below. Congratulations, Hugh!
“The impossibly talented, impossibly energetic Mr. Jackman is a glorious dinosaur among live entertainers of the 21st century: an honest-to-gosh old-fashioned matinee idol who connects to his audiences without a hint of contempt for them or for himself.”
— NY TIMES
“Theatergoers can experience something more astonishing than anything that Hollywood’s special effects could ever accomplish. Jackman delivers a high-octane two-hour singing and dancing extravaganza and barely seems to break a sweat. […] During the course of the show, laced with personal anecdotes, Jackman holds the stage with an ease so natural that it becomes almost eerie. Not only can he dance up a storm with precision, he can sing with both grace and power.”
“Superlatives are superfluous regarding Hugh Jackman Back on Broadway, which the song-and-dance man-turned-movie star has brought to the Broadhurst for 10 weeks. Jackman could at this point likely sell out any show on sheer force of celebrity, but as it turns out, his vehicle is up to his talents. The evening, seemingly assembled out of the star’s grab-bag of song favorites, demands Jackman’s all, and he surpasses expectations.”
“Whatever else he does, Jackman brings joy to the stage. Comparisons are being offered to the deep impression made by a solo artist such as [Judy] Garland. But the rapturous emotional intensity that lingers is not what this performer provides. Garland left blood on the stage. Jackman leaves sweat, and a smile.”
— THE WASHINGTON POST
“He’s as at home in jazz and swing as in traditional musical theatre. He’s a masterful improv artist. He’s a crack storyteller. His comic timing could not be better. If there’s anything Jackman cannot do, his show offers no clue as to what it may be.
Isn’t that exactly what a star should do: convince you that, while you’re in his presence, no one else on Earth matters? The cool and confidence Jackman projects his every second onstage are inspiring — or rather, they would be if he ever called attention to them. But no: He makes two solid hours of what must be exhausting work look like something he dashes off two or three times before breakfast on a daily basis. Of the myriad gifts Jackman displays in Back on Broadway, this is his most developed, and the one that makes the strongest impression.
So strong, in fact, that it’s hard not to leave the theatre depressed at the prospect that he might wait another seven years before returning to Broadway in a musical. True, his career will continue to flourish regardless. But New York theatre is much more energetic and exciting when Jackman is a living, breathing, and radiant part of it.”
— TALKIN’ BROADWAY
Hugh Jackman has had one of the most bifurcated showbiz careers imaginable. He leapt to superstardom as the mutton-chopped mutant Wolverine in the X-Men movies and won a Tony Award as the gay Australian entertainer Peter Allen in The Boy from Oz. These days, he’s starring in the robot-boxing film Real Steel and appearing on Broadway in a one-man show.
In fact, Jackman’s dual career has become the stuff of parody in a recurring series of “Saturday Night Live” sketches starring Andy Samberg.
“You know,” says the real Jackman, “I think it’s very funny. We do that [routine] all the time at my house. We go ‘Two sides!'”
Hugh Jackman: Back on Broadway is a showcase for the 43-year-old Aussie’s entertainer side. Jackman was between movies, so he decided to put together a solo show to keep busy.
“Having a gig is what keeps motivating you to practice, do singing lessons every week, keep practicing every day,” he says. “So I thought, ‘OK, well this is the time to do it!’ So, I just took the leap.”
In the show, Jackman tells stories from his life and career, interacts with the audience, and gets to indulge in some of his childhood fantasies. He says as a little kid, he would come home from rugby practice and watch Hollywood movies on TV.
“Saturday afternoons, I used to just sit down and I just would love … all those great movie musicals,” he says. “I thought they were brilliant and ingenious. That’s probably where the dreams began.”
The show’s director and choreographer, Warren Carlyle, says Jackman isn’t faking it when he dances.
“He dances like Gene Kelly or Fred Astaire; he’s in that kind of category,” Carlyle says. “He’s just like this great leading man who has rhythm and who can really, really move.”
Jackman says he’s been losing 3 or 4 pounds dancing every night.
“We started a week ago; already they’ve taken my pants in three times.”
Jackman starts the show with “Oh, What a Beautiful Mornin’,” from his breakout musical-theater role as the cowboy Curly in the 1998 revival of Oklahoma! at London’s National Theatre. It was during the run of that production that he got a call to audition for the first X-Men movie. Jackman went in to read for the part between the Wednesday matinee and evening performances of Oklahoma! — in full cowboy regalia and a perm.
“So my agent rang me back and said, ‘They thought it was an interesting take. Uh, maybe next time you audition, you could lose the Southern drawl, a little less cowboy and maybe the perm. Or at least put a hat on your head, or something!’ ”
The rest, as they say, is history. Still, Jackman’s first love is the stage. In the midst of his meteoric movie career, he took time out to play the flamboyant Allen in the Broadway production of The Boy from Oz. Jackman says his agent was OK with the decision.
“But there were many others who were saying, ‘Hugh, this is not the time to go to Broadway for 18 months to play Peter Allen in sequins.'”
It turned out to be a perfectly good career move — and in the second act of Back on Broadway, he performs several of Peter Allen’s songs, including the tender ballad “Tenterfield Saddler.”
Some of the show’s most intimate moments feature stories about Jackman’s wife, Deb, and their two children. So naturally, Jackman invited his kids to see his new show, even though they can be his toughest critics.
“I said, ‘Guys, I want you to be really honest. My feelings won’t be hurt. You can say whatever, but I just want to know if you like the show or not. Do you enjoy it?’
“And my son goes, ‘You know, Dad, I really like it.’ I said, ‘Oh, great.’
“And my daughter said, ‘I find it a little boring.'”
Jackman laughs heartily.
“I said, ‘Fair enough. You’re 6; I get it!'”
Pans from the short set or not, Jackman says he has been having the time of his life.
“I sometimes pinch myself that I’m getting the chance — it’s like ultimate karaoke.”
Check out a quick montage highlighting Hugh Jackman’s grand return to Broadway! In it, some dance segments are featured, most notably his much-talked about movie montage (which includes the very famous “Singin’ In The Rain”). You can also hear a clip of the show, as Hugh’s version of “Mack The Knife” – often associated with Bobby Darin – is played over the video. Enjoy!
Hugh Jackman recently conducted an interview with Playbill.com, discussing Broadway and his return to the Great White Way with his one-man show. It’s a very insightful interview in general, but – for those curious about his Back on Broadway performances – there’s also a good look into what to expect. Check out an excerpt below before visiting the source for the entire piece. It’s also been added to the press archive.
A one-man musical spectacular is quite a leap from your most recent film, “Real Steel.” How important is it for you to achieve that kind of balance in your career?
Honestly, it’s basically been about avoiding unemployment. When I first graduated from drama school, my goal was to keep pushing open as many doors as possible, so that included all different types of film, musical theatre, and straight plays. I figured, well, I’m pretty good at quite a few things, so I’ll keep on working at all of them. I also feel that it’s good for actors to say “yes” and risk making fools out of themselves. Ultimately, that approach has been something that’s defined me in this business.
Looking back, what impact did The Boy From Oz have on your career?
It was the turning point in my career, as far as I’m concerned. It’s funny, because I was actually offered the role of Peter Allen back in 1996 when they did a workshop in Australia, but I turned it down — even though I knew it was going to be great — because I decided I was going to try to do more films. At that point I couldn’t even get auditions for films because I was becoming so known for musicals, so I was trying to strategize. Then, after saying no to The Boy from Oz, I didn’t work in film for the next two years. When I went to see the show I felt sick in the stomach, because it was exactly how I knew it would be: It was a brilliant show and one of the greatest parts I had ever seen, and I had turned it down because I was trying to plan things out. I got a call years later from Robert Fox, the producer, and he said, “Hey, Hugh, we were thinking —” I literally cut him off and said, “I’m in.” I vowed never to disobey my heart again.
No more hesitations at that point?
A number of people thought I’d lost my mind and that it wasn’t the smartest thing for me to do, but it was a no-brainer for me. I was so grateful to have a second chance at the role. We did not get great reviews when we opened, but I felt strongly about the show, I could feel we were connecting with the audience, and I knew the audience loved it. I carried with me the great feeling of knowing that, whatever happened with the show, I’d done the right thing. Then it turned around and became a big hit, I won the Tony Award, and it was probably the best year of my life. From that moment on, I’ve followed my gut.
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